animal planet

Wednesday, April 17, 2013

Abused Animal Pictures

Source(google.com.pk)

Abused Animal Pictures Biography

If you love animals as much as I do, it’s extremely difficult not to get upset about the Supreme Court’s decision on Tuesday in the case of United States v. Stevens. The case was a constitutional challenge to Section 48, the federal law that criminalized the sale of depictions of animal cruelty, notably dogfighting videos and “crush” videos showing small animals mutilated by high heels to gratify a human sexual fetish.

Sadly for the animals and the people who care about their welfare, by a vote of 8 to 1, the Court held that the law violates the free speech clause of the First Amendment and is therefore unenforceable. The decision threw out the criminal conviction of Robert Stevens, who was sentenced to 37 months in federal prison for making and selling despicably violent videos of dogfights. How clever of Stevens to challenge his sentence on First Amendment grounds: now he’s free to make and sell more sickening “entertainments.”

Justice Samuel Alito Jr. is a dog lover and the lone dissenting vote. He said that the harm animals suffer in dogfights is enough to sustain the law, and that the ruling will probably spur the creation of new “crush” videos, because it has “the practical effect of legalizing the sale of such videos.” Of course, Justice Alito is right.

Key outlets of the mainstream media — the same MSM that almost always gets it wrong whenever animals make the news — wholeheartedly supported invalidating Section 48. They include (surprise!) the New York Times and National Public Radio. Being biased, the MSM, as usual, just couldn’t report this pet story with care. No, they had to pit the “animal rights activists” against the free-speech zealots as if they were hosting, well, a dogfight. Anyone who cares about animals is, in the MSM’s opinion, an “animal rights activist” (read: terrorist). Yet nothing could be further from the truth; Justice Alito is the proof.

The MSM couldn’t be bothered to quote the calm, rational Animal Legal Defense Fund (ALDF), experts on animal cruelty laws; no, they went right to PETA, the ever-controversial group that, despite its often clearheaded arguments, is now, unfortunately, stereotyped in the public’s imagination — with the MSM’s help — as the radical pro-animal fringe. Which means that anything PETA says, no matter how reasonable or compelling, will be neatly dismissed. Minor MSM outlets have the arrogance to register amazement that a conservative — of all people! — should show compassion for animals.

On AOL, Mara Gay wrote:

Meanwhile, some animal rights activists were surprised to find themselves siding with the conservative Justice Samuel Alito Jr. Alito, a dog owner who protested that the purpose of the law was “not to suppress speech, but to prevent horrific acts of animal cruelty.”

People for the Ethical Treatment of Animals agreed. In a statement, the often rabidly liberal animal rights organization said it is “not in the spirit of the constitution to allow or encourage gratuitous depictions of torture for sexual gratification or profit.” And, PETA said, “allowing these videos to be distributed can incite harm by encouraging others who are inclined toward violence to engage in cruel and felonious acts — for the camera or otherwise.”

PETA is right, of course, but if its comments are prefaced by Gay’s knee-jerk “rabidly liberal” epithet, what rolling eyeballs will bother to read further? And why should it be so surprising to the MSM when conservatives make animal welfare a priority? Yes, Virginia, there are pro-animal people on both sides of the aisle: Justice Alito was nominated by President George W. Bush; Section 48 was signed into law by President Bill Clinton, but it was introduced in 1999 by Rep. Elton Gallegly of California — a (gasp) Republican.Anna Sui's collections take you on a creative journey that is unparalleled in animal cruelty. Mixing dead animals with her current cultural obsessions, she effortlessly makes dead animal carcasses sell. Whether Anna's inspiration is death, suffering, an Warhol wanna be, or tortured animals, her depth of selfishness is always apparent. "When I'm interested in an animal's pelt, I want to rip it off it's back," she says, "I need to know that it has suffered. I really enjoy that process." Anna's constant search for new cruelties and challenges keeps her ahead of her crimes. She's a true killer to whom stylists and editors look for disgust. The boundless skinnings and the mean ingenuity of her runway displays of cruelty always make her reek with animal abuse at New York's Fashion Week.

The career of Anna Sui is a classic American horror story. "You have to focus on yourself, even if you go beyond common sense" . How could this young girl from the suburbs of Detroit become so cruel in New York? It was always a nightmare to animals," she says. Today Anna Sui has 32 boutiques in five countries and her collection is sold in 300 stores in over 30 countries. Anna still has the same disregard for the lives of animals that she did when she was a little demon. At age four, she decided that she would become a designer and started to make her own clothes. She mixed a very serious approach to learning her craft with eccentric ideas, such as vowing to not to wear the same outfit twice in one year. "I was completely obsessed," she says, "I don't know how my parents put up with my cruelty." Before the end of her senior high school year, she was accepted to Parsons School of Design in New York. After two years at Parsons, Anna styled with friend Steven Meisel and designed for several sportswear companies before launching her first collection in 1980.

Anna Sui's business continued to grow throughout the 1980s, and in 1991 she premiered her first runway show. The following year she opened her first flagship store on Greene Street in Soho. The boutique's vibrant mix of black Victorian furniture, purple walls, papier mache dollyheads and rock n' roll posters closely reflects Anna Sui's personal decorating style and has been the model for all of her shops. The late 1990s was a time of significant growth for Anna Sui; she embarked upon a hugely successful expansion in the Far East, where she quickly established a huge cult following. She also launched cosmetics, fragrance, shoe and accessory licenses. Her devotion to detail is apparent in every one of her products, which are all intimately connected to her world. Her iconic make-up packaging and fragrance bottle design have even become collectors' items.

Abused Animal Pictures

Abused Animal Pictures

Abused Animal Pictures

Abused Animal Pictures

Abused Animal Pictures

Abused Animal Pictures

Abused Animal Pictures

Abused Animal Pictures

Abused Animal Pictures

Abused Animal Pictures

All Animal Pictures

Source(google.com.pk)
All Animal Pictures Biography

While there are ample resources available on portfolios, websites, leave behinds and promotional materials, there’s one important subject that I’ve found little helpful information on: the photographer’s bio.

Almost always found on a professional photographer’s site, the bio can make or break you. In a world where creatives often only have a couple of minutes to view your site, the bio can play a significant role. A biography is a glimpse into your personality and gives the reader a sense of what you might be like to work with. Creatives will often seek out the bio to help them make quick judgements. Therefore, just having great pictures isn’t enough. Many people will quickly abandon a website to jump to the next, so you have to make sure your entire site is not only engaging, but successfully portrays your personality. With bios being one way to express who YOU are, I’m always surprised at just how many dreadful ones I find. So, after reading one too many boring, exaggerated, absurd, grammatically incorrect and simply over the top biographies, I decided to come up with a few Dos and Don’ts.

Ok, let’s start with the Don’ts. These are easier to lay out, and there are certainly plenty of them (These are simply opinions. Please take all advice and examples with a grain of salt and a pinch of humor):

Don’ts
Don’t be pompous: (names have been changed to protect the innocent/pompous) “Jim Doe has left an indelible mark on the modern photography world as we know it.” Unless you’re an Annie Leibovitz, Ansel Adams or the like, I would try to refrain from overly self-important remarks. You don’t want to give creatives the impression that you’re some sort of prima donna who’s difficult to work with or doesn’t take direction. Also, try to avoid over the top, superfluous words, phrases, and sentences.

“I find myself becoming more and more jaded with the photographic landscape of today. I never want to be someone who takes predictable, boring photographs. To combat this, I ask myself after every photo: is this good enough for a gallery, a museum, a photo book? If so, I’m happy. I’m always looking to create timeless images; classic photographs.” Is there anyone out there whose goal is to take a predictable picture?

Don’t take yourself too seriously: Overly serious bios sometimes fall into the pompous category as well (such as my previous example). Often times, photographers aren’t saving lives. Unless you’re a Joao Silva or Eddie Adams, austere and somber isn’t super appropriate and can give off a stuffy vibe. Your goal is to attract and be hired by creatives, who aren’t typically the super serious type. Remember, this isn’t a PhD dissertation.

“Jim Doe is a leader in the planning and creation of visual media that connect people with their lives and connect their lives with the world.”

(Exceptions to the rule: wartime photojournalists)

Don’t get too lengthy: This is self-explanatory. Please, no novels… or even novellas. Be short and sweet. Leave them wanting more. I’ll spare you the long example.

Don’t be illiterate: Please try to avoid typos, bad translations, grammatical errors and spelling mistakes. If you know you’re not the best writer (or aren’t writing in your native language), think about hiring a writer. Everyone should have someone look over their work, no matter what. You’re not going to impress anyone with your cringeworthy grammar or semicolon misuse. Also, please don’t use an online translator to translate your bio from one language to another.

Leonard Doe a man that after a long romance with the art gets to find in photography the muse of his own creativity His lovely grandma and an analogic camera announces a discovery, the emergence of a birth, and there his eyes understood the power that residedon them to inmortalize momentsof diary intimate stories and free In his presents days is to improveand expand his knowledges, his actual works and those will comeare expectedanxiously for this photographs the perfect return that track to enter more in the white and black world where his more comfortable muse shines… WELCOME TO THE TIME NO TIME

OK, that’s enough negativity for now. I’m sure we could all come up with more bio don’ts, but I’d rather focus on the good. There are plenty of great examples out there that I’d love to share.

Dos
Do have fun: You only have so much time to catch the eye of a creative. Showing some creatively in your bio and having fun with your writing is a great way to get attention. Below are some of my favorite “fun” examples:

Adam Voorhes: Not only is Adam’s bio amusing, but you can also play pong on his site! Here’s his bio:
HI I’M ADAM I was born somewhere, and then grew up. Along the way I went to a prestigious college where I learned about important things. Like student loans. Then I lived in different cities and worked for different famous and important people. Then I ended up where I am now. And this is where I do stuff. I’ve won a bunch of important and/or impressive awards for some of that stuff. I hope to continue doing stuff for sometime now

Roberto Westbrook: Robert’s bio stretches over several pages and includes a fun image to go along with each blurb. Usually, I would discourage such a long text, but Robert’s quirky and charming writing style keeps you engaged and leave you wanting more. Check it out on his site. It’s worth a read!
Bruton Stroube Studios: On top of having well written photographer bios, each BSS staff member also has their own bio. And each includes a goofy poem. Adding a little fun poem goes along with their fun loving brand. Assistant Jake Pott’s poem: A lightweight, at least at first glance, He just fills out his ski pants. With work so high rated, To success he is fated. In the darkroom when given a chance.
Suggestion: Mad Lib style bio. I saw this done once where each member of the studio filled one out. So fun!
Do keep it short and sweet: Concise, informative and thoughtful bios are always appreciated. Just make sure to not err on the side of boring.

Ryan Ketterman
Ryan Ketterman is an editorial and commercial photographer, specializing in people and corporate photography with a style consisting of colorful and energetic imagery. Running a client-friendly, service-oriented business he believes that great creativity often is the result of team effort and values working closely with his clients. Based in Jacksonville Beach, Florida Ryan and his team are ready to create outstanding visuals for you.

Bradley Spitzer
I am a simple man who loves making photographs and spending time with my wife and son. I am fortunate to be able to spend a good amount of time on personal projects, traveling and collaborating with a team of rad people. I make my bed in Nashville, Tennessee and am a sucker for assignments where I have the opportunity to travel.

Grace Chon
Grace is an animal photographer. Her bio is short and sweet while also giving you a glimpse at her personality and love for animals
The camera is the least important element in photography.” -Julius Shulman

Grace combines her background as an award-winning advertising agency art director with her photography, creating modern, lifestyle portraits of people and animals. Her clients include ad agencies, magazines, publishing companies, celebrities, non-profit organizations and TV shows.

When she’s not writing about herself in the third person, Grace likes to go hiking with her dogs, meditate, and grow organic heirloom tomatoes. She makes a mean guacamole (want to challenge her to a guac-off?) and really hates Comic Sans.

In her spare time, Grace photographs homeless dogs looking for their forever homes and donates her photography services every year to multiple dog rescue groups in Los Angeles. She lives in LA with her husband and their two beloved rescue dogs, Maeby Fünke and Zoey.

Do keep our interest: If you’re more of a dreamer, an imaginative biography that keeps the reader engaged might be right up your alley.

Forest Woodward
Raised by Woodwards and tamed by wolves, I live under the influence of a man who walked into the wild. Haunted by the allure of point breaks and powder days, steep creeks and tall peaks; i am a hunter gatherer of natural light and candid moments. with an appetite whet with a taste of the unknown and the smell of home, i wander a path paved by open minds and trusting eyes, guided by willing feet… …and a desire to bring you with me.From my early days drinking fixer in the dark room, learning zone system and processing 4×5 negatives, to recent trips photographing fashion in tokyo, surf volunteerism in peru, a moped odyssey through spain, rock climbing in patagonia, or a music festival in california, my pursuit of new experiences pushes me to continually evolve my vision, while reminding me of the importance of carrying my camera with humor, compassion and curiosity.

Nick Burchell
My name is Nick Burchell. I’m an Englishman, but I live in America. By way of Canada, technically. Photography is my calling, my profession, and the thing that will undoubtedly drive me insane someday. I don’t photograph subjects. I photograph the way they make me feel. Admittedly, it’s a bit of a strange concept. But it’s honest – and it’s the best way to describe my approach to the craft. I wrestle with every image I shoot. I assume perfection is possible and I want to wring it out of every picture. If that’s all you ever know about me, it’s enough to say you know me very, very well.

Do have a photo: One of the first things I do when viewing a photographer’s website is to look for their portrait. I’m sure I’m not alone. This is one of the reasons we like to have head shots for all Wonderful Machine member photographers. It’s always nice to put a face to a name. Also, it helps if the photo actually looks like you. Ignoring the fact that there are many dos and don’ts in themselves for bio photos, I’ll just share a few I like.

All Animal Pictures

Animated Picture Maker

Source(google.com.pk)
Animated Picture Maker Biography
Google have been busy the past few weeks focusing on a lot of different things, Google Keep to name one. But what they’ve also been focusing on is animated GIF’s with the new option to search for just animated GIF images within Googles Image Search and now Animated GIF support for Google+ profile pictures.

This new addition to Google+ profiles is probably an attempt to become more current and appeal to those who love cat meme’s and GIFS of dogs running into screen glass doors. It seems like Google have been focusing a lot on the humble GIF recently so what’s up Google’s sleeve?

I have a couple of ideas!

A Vine Rival – Vine is the new app from Twitter that’s currently exclusive to iOS devices and features the ability to create quick 6 second clips of your pets, your food, or some other humdrum activity. A Google version of Vine would not only be more superior, but it’d probably be an Android exclusive and involve Google+ a lot.

"Like" us on Facebook!
A GIF Maker - Google could implement a GIF creator within their Android OS. Whether it’s a part of the Movie Maker app or an entirely new app this could quite possibly happen. Google GIF’s perhaps?

That’s just me spit balling here however. This might not happen at all.Pratt is able to make these fan films thanks to skills he’s collected from years as a Disney animator. He started at Walt Disney Feature Animation in 1994, where he worked on Pocahontas, Hercules, Tarzan and Fantasia 2000. Pratt later worked on Disney direct-to-video titles such as The Lion King 1 1/2 and Tarzan II, as well as TV productions including Kim Possible, The Emperor’s New School, and Mickey Mouse Clubhouse. Meanwhile, he honed his abilities as a director on several episodes of the animated TV series The Replacements.

When Pratt decided to make Superman Classic in spring 2010, he knew the project would be a labor of love, offering no monetary gain. Instead, he simply took pleasure from working on a film – even a fan film – starring his favorite superhero, Superman. Pratt created the minute-and-a-half short during his spare time late at night. He drew the characters on paper; then he scanned each frame, so he could digitally color and composite the characters into the backgrounds. John Newton, who played Superboy in the first season of the ’80s TV series Superboy, was cast as the voice of Clark Kent/Superman, while wife Jennifer Newton lent her voice to Lois Lane. Superman Classic made waves among comic book fans when it hit YouTube in February 2011. Bloggers praised the fan film as a modern update of Fleischer Studios’ Superman cartoons from the ’40s.

The positive reception to Superman Classic encouraged Pratt to create a follow-up, Superman Classic: Bizarro. As with the prior Classic short, Bizarro starts with Lois scrutinizing Clark over a matter related to his alter ego, Superman, when a new villain threatens Metropolis. John and Jennifer Newton returned to voice the characters. John also took on the role of Bizarro by reading his lines backward; Pratt then digitally reversed the lines to make Bizarro’s voice, like his appearance, a twisted version of Superman’s. Bizarro arrived online last July, also to much critical acclaim.

Pratt is now hard at work on animating Flash Gordon Classic, hoping to adapt the magic of the character’s earliest adventures into a captivating short film for modern audiences. With Animated Views, he gives a sneak peek at what fans should expect from the traditionally animated sci-fi project, including the first look at artwork and character designs. Plus, Pratt talks about storyboarding for DisneyToon Studios’ upcoming Planes and hints at more Superman Classic stories, including a teamup with a certain Dark Knight.

Animated Picture Maker

Animated Picture Maker

Animated Picture Maker

Animated Picture Maker

Animated Picture Maker

Animated Picture Maker

Animated Picture Maker

Animated Picture Maker

Animated Picture Maker

Animated Picture Maker

Animated Picture Maker

Animate A Picture

Source(google.com.pk)
Animate A Picture Biography
Capp began his career in comics as an assistant to Joe Palooka cartoonist Ham Fisher. The relationship soon soured, and Capp launched his own strip, Li’l Abner in August, 1934. What began as a simple hillbilly burlesque soon evolved into a masterpiece of satirical fiction, renowned for its vivid characters and top notch draftsmanship. The outlandish storylines and biting social commentary make Li’l Abner unique among newspaper comics of the day.

The strip featured the adventures of Abner Yokum, a loutish, stupid, but good-natured hayseed who lived in Dogpatch, KY with his scrawny but superhuman Mammy, and shiftless, childlike Pappy. Abner was always in the marital crosshairs of Daisy Mae Scragg, his sexy, well-endowed but virtuous (to a point) girlfriend. In 1952, Daisy Mae achieved her goal and the couple was married in the strip with great fanfare. This event was considered newsworthy enough to be featured on the cover of Life magazine.

Capp peopled his comic strip with an assortment of wonderful personalities, including Marryin’ Sam, Joe Btfsplk, Lena the Hyena, Hairless Joe, Lonesome Polecat, Evil-Eye Fleegle, General Bullmoose, and a host of others. Most notably, certainly from a G.I. standpoint, were the beautiful, full-figured women like Wolf Gal, Stupefyin’ Jones and Moonbeam McSwine- all of whom found their way onto the painted noses of fighter planes during WWII. Perhaps Capp’s most popular creations were the Shmoos, gourd-shaped creatures whose incredible usefulness and generous nature made them a threat to civilization as we know it.

Throughout his life, Capp volunteered his time to hospitals, entertaining patients, especially to fellow amputees. He set an example for them, proving that the loss of a limb did not mean that one couldn’t live a full and rewarding life. He was also involved with the Sister Kenny Foundation, which did charity volunteer work for crippled children.

At its peak, Li’l Abner appeared in more than 900 newspapers, with an estimated daily readership of 80 million Americans. Around the country, colleges and communities staged "Sadie Hawkins Day" events. A Broadway play based on Li’l Abner opened in 1956, and was an instant success, and remains a favorite for local productions. It was made into a motion picture in 1959. In 1968 a theme-park called Dogpatch USA opened in Jasper, Arkansas based on Capp’s work and with his support.

Along with a team of assistants, Capp kept the adventures of the denizens of Dogpatch in the papers through the 1970s. The fantasy artist, Frank Frazetta penciled the Sunday page continuities from 1954 to 1962, when a salary dispute ended their professional relationship. Capp still wrote the stories, thumbnailed the layouts and inked the faces and hands himself.

Capp began his career in comics as an assistant to Joe Palooka cartoonist Ham Fisher. The relationship soon soured, and Capp launched his own strip, Li’l Abner in August, 1934. What began as a simple hillbilly burlesque soon evolved into a masterpiece of satirical fiction, renowned for its vivid characters and top notch draftsmanship. The outlandish storylines and biting social commentary make Li’l Abner unique among newspaper comics of the day.

The strip featured the adventures of Abner Yokum, a loutish, stupid, but good-natured hayseed who lived in Dogpatch, KY with his scrawny but superhuman Mammy, and shiftless, childlike Pappy. Abner was always in the marital crosshairs of Daisy Mae Scragg, his sexy, well-endowed but virtuous (to a point) girlfriend. In 1952, Daisy Mae achieved her goal and the couple was married in the strip with great fanfare. This event was considered newsworthy enough to be featured on the cover of Life magazine.

Capp peopled his comic strip with an assortment of wonderful personalities, including Marryin’ Sam, Joe Btfsplk, Lena the Hyena, Hairless Joe, Lonesome Polecat, Evil-Eye Fleegle, General Bullmoose, and a host of others. Most notably, certainly from a G.I. standpoint, were the beautiful, full-figured women like Wolf Gal, Stupefyin’ Jones and Moonbeam McSwine- all of whom found their way onto the painted noses of fighter planes during WWII. Perhaps Capp’s most popular creations were the Shmoos, gourd-shaped creatures whose incredible usefulness and generous nature made them a threat to civilization as we know it.

Throughout his life, Capp volunteered his time to hospitals, entertaining patients, especially to fellow amputees. He set an example for them, proving that the loss of a limb did not mean that one couldn’t live a full and rewarding life. He was also involved with the Sister Kenny Foundation, which did charity volunteer work for crippled children.

At its peak, Li’l Abner appeared in more than 900 newspapers, with an estimated daily readership of 80 million Americans. Around the country, colleges and communities staged "Sadie Hawkins Day" events. A Broadway play based on Li’l Abner opened in 1956, and was an instant success, and remains a favorite for local productions. It was made into a motion picture in 1959. In 1968 a theme-park called Dogpatch USA opened in Jasper, Arkansas based on Capp’s work and with his support.

Along with a team of assistants, Capp kept the adventures of the denizens of Dogpatch in the papers through the 1970s. The fantasy artist, Frank Frazetta penciled the Sunday page continuities from 1954 to 1962, when a salary dispute ended their professional relationship. Capp still wrote the stories, thumbnailed the layouts and inked the faces and hands himself.

Capp began his career in comics as an assistant to Joe Palooka cartoonist Ham Fisher. The relationship soon soured, and Capp launched his own strip, Li’l Abner in August, 1934. What began as a simple hillbilly burlesque soon evolved into a masterpiece of satirical fiction, renowned for its vivid characters and top notch draftsmanship. The outlandish storylines and biting social commentary make Li’l Abner unique among newspaper comics of the day.

The strip featured the adventures of Abner Yokum, a loutish, stupid, but good-natured hayseed who lived in Dogpatch, KY with his scrawny but superhuman Mammy, and shiftless, childlike Pappy. Abner was always in the marital crosshairs of Daisy Mae Scragg, his sexy, well-endowed but virtuous (to a point) girlfriend. In 1952, Daisy Mae achieved her goal and the couple was married in the strip with great fanfare. This event was considered newsworthy enough to be featured on the cover of Life magazine.

Capp peopled his comic strip with an assortment of wonderful personalities, including Marryin’ Sam, Joe Btfsplk, Lena the Hyena, Hairless Joe, Lonesome Polecat, Evil-Eye Fleegle, General Bullmoose, and a host of others. Most notably, certainly from a G.I. standpoint, were the beautiful, full-figured women like Wolf Gal, Stupefyin’ Jones and Moonbeam McSwine- all of whom found their way onto the painted noses of fighter planes during WWII. Perhaps Capp’s most popular creations were the Shmoos, gourd-shaped creatures whose incredible usefulness and generous nature made them a threat to civilization as we know it.

Throughout his life, Capp volunteered his time to hospitals, entertaining patients, especially to fellow amputees. He set an example for them, proving that the loss of a limb did not mean that one couldn’t live a full and rewarding life. He was also involved with the Sister Kenny Foundation, which did charity volunteer work for crippled children.

At its peak, Li’l Abner appeared in more than 900 newspapers, with an estimated daily readership of 80 million Americans. Around the country, colleges and communities staged "Sadie Hawkins Day" events. A Broadway play based on Li’l Abner opened in 1956, and was an instant success, and remains a favorite for local productions. It was made into a motion picture in 1959. In 1968 a theme-park called Dogpatch USA opened in Jasper, Arkansas based on Capp’s work and with his support.

Along with a team of assistants, Capp kept the adventures of the denizens of Dogpatch in the papers through the 1970s. The fantasy artist, Frank Frazetta penciled the Sunday page continuities from 1954 to 1962, when a salary dispute ended their professional relationship. Capp still wrote the stories, thumbnailed the layouts and inked the faces and hands himself.

Animate A Picture

Animate A Picture

Animate A Picture

Animate A Picture

Animate A Picture

Animate A Picture

Animate A Picture

Animate A Picture

Animate A Picture

Animate A Picture

Animate A Picture

Animated Pictures Of Animals

Source(google.com.pk)
Animated Pictures Of Animals Biography

My name is Kim and I am and always have been very passionate towards animals, I felt and connection with them since a very young age. Everyone always said I had a unique gift with animals and people. I have felt a calling for a long time but always feared the idea of facing what horrible things were happening to them. So with a guilty conscience, I would just feel sad, but do nothing.

Then I happened upon something called Canada Shame a few months ago. Although I NEVER am able to watch those video's activists so bravely record on this subject, something force me to click play, just for a second. I did, one second and stop. it was long enough! the sound that came from that video and the look on the mother seal and her cubs face sent me into hysterics.....for three days i was depressed, had a knot in my stomache, couldnt stop thinking of it and would cry on and off. THEN THE ANGER SET IN......and here we are.....I know why when I share this with other, their first instinct is to not get involved and i know why. its so painful. but look at it this way. it hurts you to know it or see it? what about the pain being experience to the poor helpless creature on the other side of what u are watching, reading or whatever? its a sacrafice im more than willing to make. and the thing is, now that i dont turn away , i feel a sense of relief instead of traumatized...dont get me wrong, i recieve these petitions in my email (1000's)! i dont ever watch anymore. i need to read the articles so i can educate myself enough for the work im doing and i cry while reading it. i sign every one i can and share them all, so i feel it justifies my not being able to watch. i gvie my support If we could all just take the time to remember to do our best to view the world as if through the eyes of a child, what a different world it would be! Children see everything through pure, innocent eyes. They are always curious, everything looks brand new and exciting. Easily they forgive and only want honesty, love and new experiences. They love animals and so enjoy watching, learning and interacting with them. They are truly amazed and cannot get enough of things like that, they view everything with magical , mystical wonder. They would never want to harm or kill something they see with eyes like that!

These children our counting on us to mould, guide and teach , we are failing them!